[{"data":1,"prerenderedAt":738},["ShallowReactive",2],{"events":3},[4,30,49,77,102,125,147,165,185,206,227,248,269,290,311,332,352,373,403,424,445,466,489,510,531,557,578,599,617,634,655,677,698,718],{"id":5,"title":6,"body":7,"date":18,"description":13,"extension":19,"image":20,"location":18,"meta":21,"navigation":22,"path":26,"seo":27,"stem":28,"__hash__":29},"music/music/asdfadsf.md","asdf",{"type":8,"value":9,"toc":14},"minimark",[10],[11,12,13],"p",{},"fwfwfwfw",{"title":15,"searchDepth":16,"depth":16,"links":17},"",2,[],null,"md","https://res.cloudinary.com/radioroma/image/upload/v1776385920/events/sharing.png",{"isAlbum":22,"date_time":23,"albumYear":24,"albumArtist":25},true,"2026-04-23 17:31",2026,"asdfasdf","/music/asdfadsf",{"title":6,"description":13},"music/asdfadsf","-TB8m9OV003pChMpZgUAgfKJ4osVbV_jyybVRxh9v-U",{"id":31,"title":32,"body":33,"date":18,"description":37,"extension":19,"image":40,"location":18,"meta":41,"navigation":22,"path":45,"seo":46,"stem":47,"__hash__":48},"music/music/asdfas.md","asdfasd",{"type":8,"value":34,"toc":38},[35],[11,36,37],{},"Nikcy for the win",{"title":15,"searchDepth":16,"depth":16,"links":39},[],"https://res.cloudinary.com/radioroma/image/upload/v1777322126/events/cooler_landscape-1.webp",{"isAlbum":22,"date_time":42,"albumYear":24,"albumArtist":43,"dj_name":44},"2026-04-28T20:30:00.000Z","nicky dishes","Nikcy","/music/asdfas",{"title":32,"description":37},"music/asdfas","EmbH1-KuzgnImVT-TCqlPQKgge_UQQGR1kKZL0dLtuA",{"id":50,"title":51,"body":52,"date":18,"description":15,"extension":19,"image":68,"location":18,"meta":69,"navigation":22,"path":73,"seo":74,"stem":75,"__hash__":76},"music/music/balkan-kaos.md","Balkan Kaos",{"type":8,"value":53,"toc":65},[54,59,62],[55,56,58],"h2",{"id":57},"legende-rakija-cocktail-launch","Legende Rakija Cocktail Launch",[11,60,61],{},"Balkan Kaos comes to Radio Roma for the launch of Legende Rakija. DJs Devendra Banhart and Masha Mitkova spin all night, with Masha on accordion and Marcus Cohen on trumpet.",[11,63,64],{},"Thursday, May 28 · 8PM–Midnight · 307 E Ojai Ave, Ojai, California",{"title":15,"searchDepth":16,"depth":16,"links":66},[67],{"id":57,"depth":16,"text":58},"https://res.cloudinary.com/radioroma/image/upload/legende_rakija.JPG_yd1kpi",{"isAlbum":70,"date_time":71,"dj_name":72},false,"2026-05-28T20:00:00-07:00","Devendra Banhart & Masha Mitkova","/music/balkan-kaos",{"title":51,"description":15},"music/balkan-kaos","rbedvXAmRyv0Vkkxo_IXcGmegX40IHvtKetJsOqRaBU",{"id":78,"title":79,"body":80,"date":18,"description":15,"extension":19,"image":92,"location":18,"meta":93,"navigation":22,"path":98,"seo":99,"stem":100,"__hash__":101},"music/music/bitches-brew.md","Bitches Brew",{"type":8,"value":81,"toc":89},[82,86],[55,83,85],{"id":84},"about-the-album","About the Album",[11,87,88],{},"Miles Davis's \"Bitches Brew\" marks a revolutionary moment in the evolution of jazz and popular music. Recorded in August 1969 and released in 1970, this double album represents Davis's bold venture into electric jazz fusion, challenging conventional jazz structures and production techniques. The sessions brought together an extraordinary ensemble including Wayne Shorter, Joe Zawinul, John McLaughlin, Chick Corea, and Tony Williams, among others, creating dense, psychedelic soundscapes through innovative studio techniques like tape loops and editing. Extended compositions like the title track and 'Pharaoh's Dance' abandon traditional song forms for sprawling, improvisational explorations that blend jazz virtuosity with rock energy and funk rhythms. Producer Teo Macero's pioneering use of studio as instrument, cutting and splicing recordings together, created a template for modern electronic music production. While initially polarizing for jazz purists, the album's groundbreaking fusion of electric instruments, rock aesthetics, and free jazz improvisation not only won Davis a new, younger audience but also laid the groundwork for genres ranging from progressive rock to electronic music and hip-hop.",{"title":15,"searchDepth":16,"depth":16,"links":90},[91],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/bitches-brew",{"isAlbum":22,"albumYear":94,"date_time":95,"dj_name":96,"albumArtist":97},1970,"2025-04-15 21:00","Roger Moore","Miles Davis","/music/bitches-brew",{"title":79,"description":15},"music/bitches-brew","JY2NNqRzoRd2KKlVM2p95TbDyRbxi8HooDIfwNCf3gw",{"id":103,"title":104,"body":105,"date":18,"description":15,"extension":19,"image":115,"location":18,"meta":116,"navigation":22,"path":121,"seo":122,"stem":123,"__hash__":124},"music/music/blonde.md","Blonde",{"type":8,"value":106,"toc":112},[107,109],[55,108,85],{"id":84},[11,110,111],{},"Frank Ocean's \"Blonde\" stands as one of the most profound and innovative R&B albums of the 21st century. Released independently in 2016 after fulfilling his contract with Def Jam, the album represents Ocean at his most experimental and emotionally vulnerable. Through tracks like 'Nikes', 'Ivy', and 'Self Control', Ocean crafts a dreamlike narrative of love, identity, and memory, using pitched vocals, ambient textures, and unconventional song structures to create an entirely new language for modern soul music. The album's minimalist production, often stripping away traditional R&B rhythms in favor of atmospheric guitars and abstract electronics, creates an intimate space for Ocean's storytelling to unfold. Features from André 3000, James Blake, and Beyoncé are woven so seamlessly into the fabric of the album that they feel less like guest appearances and more like voices in Ocean's internal dialogue. While less immediately accessible than his debut \"Channel Orange\", \"Blonde\" reveals its depths slowly, rewarding repeated listens with new details and emotional resonance, cementing Ocean's position as one of his generation's most visionary artists.",{"title":15,"searchDepth":16,"depth":16,"links":113},[114],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632771/032ac4ee-ca1d-4898-b4d2-ef35747d2f08_utjqgu",{"date_time":117,"dj_name":118,"isAlbum":22,"albumYear":119,"albumArtist":120},"2025-06-01T20:00:00.000Z","Unknown DJ",2016,"Frank Ocean","/music/blonde",{"title":104,"description":15},"music/blonde","nGUpS_WAasCRT9evsdQJUPVzmH89ZMDa1jj5i2Jqz6Y",{"id":126,"title":127,"body":128,"date":18,"description":15,"extension":19,"image":140,"location":18,"meta":141,"navigation":22,"path":143,"seo":144,"stem":145,"__hash__":146},"music/music/chauncey-pearls.md","Chauncey Pearls",{"type":8,"value":129,"toc":137},[130,134],[55,131,133],{"id":132},"about-the-set","About the set",[11,135,136],{},"Former b-boy and graffiti artist Chauncey Pearls (@chauncey_pearls_) brings his eye for culture and detail to the decks. He leans toward sounds that reward patience: subtle layers, slow builds, and grooves that unfold over time. Expect a sophisticated blend of art and music, with the same passion he brought to the walls and the floor, now channeled into DJing and production.",{"title":15,"searchDepth":16,"depth":16,"links":138},[139],{"id":132,"depth":16,"text":133},"https://res.cloudinary.com/radioroma/image/upload/698639679_17896909146448927_7714259724580297716_n.jpg_ypabre",{"isAlbum":70,"date_time":142,"dj_name":127},"2026-05-12T19:00:00-07:00","/music/chauncey-pearls",{"title":127,"description":15},"music/chauncey-pearls","JD8iOMFuannMsfWKrABZ-YMkQLh35RPUwUDhCUQFvRg",{"id":148,"title":149,"body":150,"date":18,"description":154,"extension":19,"image":157,"location":18,"meta":158,"navigation":22,"path":161,"seo":162,"stem":163,"__hash__":164},"music/music/cinco-de-mayo.md","Cinco de Mayo",{"type":8,"value":151,"toc":155},[152],[11,153,154],{},"DJ Duran and DJ San Kaal are both Oxnard natives with family roots in Mexico City. San Kaal is a skilled keyboardist/educator who travels on tours with several bands. Duran is a longtime music lover and stays devoted to the art of djing. Expect to hear some heavy bangers of cumbia/sonideros, salsa, reggaeton, rock en español, and chicano soul.",{"title":15,"searchDepth":16,"depth":16,"links":156},[],"https://res.cloudinary.com/radioroma/image/upload/v1777998665/events/cinco.jpg",{"isAlbum":70,"date_time":159,"dj_name":160},"2026-05-06T02:00:00.000Z","DJ Duran & DJ San Kaal","/music/cinco-de-mayo",{"title":149,"description":154},"music/cinco-de-mayo","x9K_pGTwjN2ynoIqPxLJxvqOgUUn14UkW4wqPgMvr-c",{"id":166,"title":167,"body":168,"date":18,"description":15,"extension":19,"image":178,"location":18,"meta":179,"navigation":22,"path":181,"seo":182,"stem":183,"__hash__":184},"music/music/curtis.md","Curtis",{"type":8,"value":169,"toc":175},[170,172],[55,171,85],{"id":84},[11,173,174],{},"Curtis Mayfield's solo debut \"Curtis\" represents a masterful fusion of soul music and social consciousness. Released in 1970 after leaving The Impressions, the album established Mayfield as one of the most important voices in Black music. Opening with the powerful \"(Don't Worry) If There's a Hell Below, We're All Going to Go,\" Mayfield created a new template for socially aware soul music, addressing racism, poverty, and urban struggle with unflinching honesty while maintaining an underlying message of hope. His falsetto vocals, floating over sophisticated arrangements that blend funk, psychedelic soul, and orchestral elements, brought a new level of sophistication to R&B production. Songs like \"Move On Up\" and \"The Other Side of Town\" showcase his ability to combine uplifting melodies with incisive social commentary, while his innovative use of wah-wah guitar and layered percussion would influence countless funk and soul artists. The album's impact extended far beyond its initial release, with its musical and lyrical themes anticipating the emergence of conscious soul and setting a standard for artists seeking to balance artistic innovation with social responsibility.",{"title":15,"searchDepth":16,"depth":16,"links":176},[177],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_2_yceuvh",{"isAlbum":22,"albumYear":94,"date_time":95,"dj_name":96,"albumArtist":180},"Curtis Mayfield","/music/curtis",{"title":167,"description":15},"music/curtis","1zeDOJCj-D7EsIw6GkLAEhatW_sAmXP6sTD6QvggCYs",{"id":186,"title":187,"body":188,"date":18,"description":15,"extension":19,"image":198,"location":18,"meta":199,"navigation":22,"path":202,"seo":203,"stem":204,"__hash__":205},"music/music/diablos.md","Colombian Melting Pot",{"type":8,"value":189,"toc":195},[190,192],[55,191,85],{"id":84},[11,193,194],{},"\"Colombian Melting Pot\" by Diablos del Ritmo is a vibrant compilation that captures the rich diversity and cultural fusion of Colombian music from the 1960s to the 1980s. Released in 2012, this album brings together a wide array of genres, including cumbia, salsa, Afrobeat, and champeta, showcasing the dynamic musical landscape of Colombia during this period. The compilation features tracks from influential artists like Wganda Kenya, Abelardo Carbonó, and Lisandro Meza, each contributing their unique sound to the tapestry of Colombian music. The album highlights the cross-pollination of African, Caribbean, and Latin influences, creating a sound that is both distinctly Colombian and universally appealing. With its infectious rhythms, vibrant melodies, and eclectic mix of styles, \"Colombian Melting Pot\" serves as a testament to the country's musical innovation and its ability to blend traditional sounds with contemporary influences. This compilation not only celebrates Colombia's musical heritage but also invites listeners to explore the rich cultural exchanges that have shaped its sound.",{"title":15,"searchDepth":16,"depth":16,"links":196},[197],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_5_t8y9ak",{"isAlbum":22,"albumYear":200,"date_time":95,"dj_name":96,"albumArtist":201},2012,"Various Artists","/music/diablos",{"title":187,"description":15},"music/diablos","HbJlePb04QS1uzb9naath9A8FPNmapFUzZ8oQFbAy3U",{"id":207,"title":208,"body":209,"date":18,"description":15,"extension":19,"image":219,"location":18,"meta":220,"navigation":22,"path":223,"seo":224,"stem":225,"__hash__":226},"music/music/folsom-prison.md","At Folsom Prison",{"type":8,"value":210,"toc":216},[211,213],[55,212,85],{"id":84},[11,214,215],{},"Johnny Cash's \"At Folsom Prison\" stands as one of the most electrifying live albums ever recorded. Captured on January 13, 1968, at California's Folsom State Prison, the album represents Cash at his most raw and authentic, performing for an audience of inmates who responded with immediate and visceral enthusiasm. The album opens with the iconic \"Folsom Prison Blues,\" met with explosive cheers at the famous line \"I shot a man in Reno, just to watch him die.\" Cash's set list masterfully balanced dark humor (\"Cocaine Blues\"), deep pathos (\"The Long Black Veil\"), and redemptive spirit (\"Greystone Chapel,\" written by inmate Glen Sherley). Accompanied by June Carter, Carl Perkins, and the Tennessee Three, Cash delivered each song with an intensity that spoke directly to his imprisoned audience, while the inmates' reactions – their cheers, their laughter, their silence – became an integral part of the recording. The album not only revitalized Cash's career but also highlighted his advocacy for prison reform and his ability to connect with society's outcasts. \"At Folsom Prison\" remains a testament to Cash's artistic integrity and his unique ability to transform a prison performance into a landmark of American music.",{"title":15,"searchDepth":16,"depth":16,"links":217},[218],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/folsom-prison",{"isAlbum":22,"albumYear":221,"date_time":95,"dj_name":96,"albumArtist":222},1968,"Johnny Cash","/music/folsom-prison",{"title":208,"description":15},"music/folsom-prison","bqQMbdtqDjJ8DRsIvTfW3IGOHm-XijTP8xX4knhKdwg",{"id":228,"title":229,"body":230,"date":18,"description":15,"extension":19,"image":240,"location":18,"meta":241,"navigation":22,"path":244,"seo":245,"stem":246,"__hash__":247},"music/music/freewheelin.md","The Freewheelin' Bob Dylan",{"type":8,"value":231,"toc":237},[232,234],[55,233,85],{"id":84},[11,235,236],{},"\"The Freewheelin' Bob Dylan\" represents the moment when Dylan transformed from folk music interpreter to voice of a generation. Released in 1963, this sophomore album showcases Dylan's emergence as a songwriter of unprecedented depth and vision. The album opens with \"Blowin' in the Wind,\" a song that would become an anthem of the civil rights movement, and continues through a remarkable collection including \"Girl from the North Country,\" \"Masters of War,\" and \"A Hard Rain's A-Gonna Fall.\" Each track demonstrates Dylan's ability to blend traditional folk forms with modernist poetry and social commentary. His lyrics address everything from nuclear apocalypse to racial inequality, from personal love songs to scathing political critiques, all delivered in his distinctive voice that valued emotional truth over technical perfection. Recorded with just acoustic guitar and harmonica, the sparse arrangements emphasize the power of Dylan's words and his ability to capture the anxieties and hopes of the early 1960s. While Dylan would go on to reinvent himself many times, \"Freewheelin'\" captures him at his most direct and prophetic, creating a template for how popular music could engage with social issues while maintaining artistic integrity.",{"title":15,"searchDepth":16,"depth":16,"links":238},[239],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_4_ixzhui",{"isAlbum":22,"albumYear":242,"date_time":95,"dj_name":96,"albumArtist":243},1963,"Bob Dylan","/music/freewheelin",{"title":229,"description":15},"music/freewheelin","4XMNYfKlv2htOT9YKNqSX4U2dMawKFdPAB1wi5tdWwY",{"id":249,"title":250,"body":251,"date":18,"description":15,"extension":19,"image":261,"location":18,"meta":262,"navigation":22,"path":265,"seo":266,"stem":267,"__hash__":268},"music/music/getz.md","Getz/Gilberto",{"type":8,"value":252,"toc":258},[253,255],[55,254,85],{"id":84},[11,256,257],{},"\"Getz/Gilberto\" is a landmark bossa nova album that brought Brazilian music to international prominence. Released in 1964, the collaboration between American saxophonist Stan Getz and Brazilian guitarist João Gilberto, with compositions by Antônio Carlos Jobim, created a timeless fusion of jazz and samba. The album features the iconic track \"The Girl from Ipanema,\" sung by Astrud Gilberto, which became a worldwide hit. Known for its smooth melodies and gentle rhythms, \"Getz/Gilberto\" won multiple Grammy Awards, including Album of the Year, and remains a quintessential recording in both jazz and world music. Its influence continues to resonate, introducing audiences to the beauty and sophistication of bossa nova.",{"title":15,"searchDepth":16,"depth":16,"links":259},[260],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Nick_s_Inbox_smojap",{"isAlbum":22,"albumYear":263,"date_time":95,"dj_name":96,"albumArtist":264},1964,"Stan Getz & João Gilberto","/music/getz",{"title":250,"description":15},"music/getz","x_lNQeg_U64tGpqxlcXs56jZMvOPQ61zagNjCl0S-WQ",{"id":270,"title":271,"body":272,"date":18,"description":15,"extension":19,"image":282,"location":18,"meta":283,"navigation":22,"path":286,"seo":287,"stem":288,"__hash__":289},"music/music/goodbadugly.md","The Good, the Bad and the Ugly",{"type":8,"value":273,"toc":279},[274,276],[55,275,85],{"id":84},[11,277,278],{},"The soundtrack for \"The Good, the Bad and the Ugly,\" composed by Ennio Morricone, is one of the most iconic and influential film scores in cinematic history. Released in 1966, the music accompanies Sergio Leone's epic Spaghetti Western, starring Clint Eastwood, Lee Van Cleef, and Eli Wallach. Morricone's score is renowned for its innovative use of sound effects, unconventional instruments, and haunting melodies, which perfectly capture the film's tense and dramatic atmosphere. The main theme, with its distinctive whistling and gunshot effects, has become synonymous with the Western genre, while tracks like \"The Ecstasy of Gold\" and \"The Trio\" showcase Morricone's ability to blend orchestral grandeur with raw, emotional intensity. The soundtrack's unique fusion of classical music, folk elements, and avant-garde techniques set a new standard for film scoring, influencing countless composers and musicians across genres. \"The Good, the Bad and the Ugly\" remains a testament to Morricone's genius, illustrating how music can elevate a film's narrative and create an enduring cultural legacy.",{"title":15,"searchDepth":16,"depth":16,"links":280},[281],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_7_i2zmkj",{"isAlbum":22,"albumYear":284,"date_time":95,"dj_name":96,"albumArtist":285},1966,"Ennio Morricone","/music/goodbadugly",{"title":271,"description":15},"music/goodbadugly","cXQQJIpkaKl7K1GxSWEqPU5lfed_tv524AHEMMcE7KU",{"id":291,"title":292,"body":293,"date":18,"description":15,"extension":19,"image":303,"location":18,"meta":304,"navigation":22,"path":307,"seo":308,"stem":309,"__hash__":310},"music/music/harvest.md","Harvest",{"type":8,"value":294,"toc":300},[295,297],[55,296,85],{"id":84},[11,298,299],{},"Neil Young's fourth studio album \"Harvest\" stands as one of the most influential records in the history of folk and country rock. Released in 1972, the album features some of Young's most beloved songs, including the chart-topping 'Heart of Gold', the haunting 'The Needle and the Damage Done', and the orchestral masterpiece 'A Man Needs a Maid'. Recorded primarily at Quadrafonic Sound Studios in Nashville with the Stray Gators as his backing band, the album also features notable contributions from guests like James Taylor, Linda Ronstadt, and the London Symphony Orchestra. The record's warm, acoustic sound and deeply personal lyrics about love, loss, and addiction created a template for the singer-songwriter movement of the 1970s. Despite Young later noting that the album's mainstream success \"put me in the middle of the road,\" Harvest remains a masterpiece of American roots music, perfectly capturing a moment when country and folk music crossed over into the pop mainstream without sacrificing their authenticity.",{"title":15,"searchDepth":16,"depth":16,"links":301},[302],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/harvest",{"isAlbum":22,"albumYear":305,"date_time":95,"dj_name":96,"albumArtist":306},1972,"Neil Young","/music/harvest",{"title":292,"description":15},"music/harvest","87M0_BiuE2sf_iqWfPQYanpLfw8B8FvJmlj6Fel8zL0",{"id":312,"title":313,"body":314,"date":18,"description":15,"extension":19,"image":324,"location":18,"meta":325,"navigation":22,"path":328,"seo":329,"stem":330,"__hash__":331},"music/music/london-calling.md","London Calling",{"type":8,"value":315,"toc":321},[316,318],[55,317,85],{"id":84},[11,319,320],{},"The Clash's \"London Calling\" stands as punk rock's most ambitious and expansive statement. Released in December 1979, this double album saw the band transcend their punk roots while maintaining their political fury and urgent energy. Working with producer Guy Stevens, whose unconventional methods included throwing chairs around the studio for atmosphere, the band incorporated reggae, ska, rockabilly, and R&B into their sound. The iconic title track sets the tone with its apocalyptic imagery and driving rhythm, while songs like 'Spanish Bombs', 'Train in Vain', and 'Lost in the Supermarket' showcase the band's growing songwriting sophistication. Joe Strummer and Mick Jones's collaborative partnership reached its peak, addressing themes of social justice, unemployment, racial conflict, and the failures of both capitalism and punk rock itself. The album's famous cover photo of Paul Simonon smashing his bass captures the raw energy that the band brought to even their most polished recordings. While expanding punk's musical vocabulary, \"London Calling\" never lost sight of the genre's core values of passion and protest, creating a blueprint for how rock music could be both politically engaged and musically adventurous.",{"title":15,"searchDepth":16,"depth":16,"links":322},[323],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_1_nxehik",{"isAlbum":22,"albumYear":326,"date_time":95,"dj_name":96,"albumArtist":327},1979,"The Clash","/music/london-calling",{"title":313,"description":15},"music/london-calling","n0StH9K-OMENS7nRjh0suiG3HXJH2BN54IRpoeZEDJo",{"id":333,"title":334,"body":335,"date":18,"description":15,"extension":19,"image":345,"location":18,"meta":346,"navigation":22,"path":348,"seo":349,"stem":350,"__hash__":351},"music/music/love-supreme.md","A Love Supreme",{"type":8,"value":336,"toc":342},[337,339],[55,338,85],{"id":84},[11,340,341],{},"John Coltrane's \"A Love Supreme\" stands as one of the most profound spiritual statements ever made in jazz. Recorded in December 1964 with his classic quartet – pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones – this four-part suite represents Coltrane's musical expression of his religious awakening. The album's movements ('Acknowledgement', 'Resolution', 'Pursuance', and 'Psalm') form a complete spiritual and musical journey, from the iconic four-note bass motif that opens the album to Coltrane's saxophone recitation of a devotional poem in the final movement. Recorded at Van Gelder Studio in a single session, the album captures Coltrane at the height of his powers, seamlessly blending modal jazz with freer approaches and spiritual themes. The intensity of the quartet's interplay and Coltrane's searching, transcendent solos created a new vocabulary for jazz improvisation. While not his most commercially successful album, \"A Love Supreme\" is widely considered Coltrane's masterpiece and one of the most important albums in jazz history, influencing generations of musicians across all genres with its deep spirituality and fearless innovation.",{"title":15,"searchDepth":16,"depth":16,"links":343},[344],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/love-supreme",{"isAlbum":22,"albumYear":263,"date_time":95,"dj_name":96,"albumArtist":347},"John Coltrane","/music/love-supreme",{"title":334,"description":15},"music/love-supreme","KenZtWHvwgpd1kxsX6DypD-hQX-E1TxvSJaH7Q1wghw",{"id":353,"title":354,"body":355,"date":18,"description":15,"extension":19,"image":365,"location":18,"meta":366,"navigation":22,"path":369,"seo":370,"stem":371,"__hash__":372},"music/music/low.md","Low",{"type":8,"value":356,"toc":362},[357,359],[55,358,85],{"id":84},[11,360,361],{},"David Bowie's \"Low\" represents a radical departure in both sound and vision for rock music. Released in January 1977 as the first installment of his \"Berlin Trilogy,\" the album was largely recorded in France with Brian Eno and Tony Visconti, drawing inspiration from the German electronic music scene. The album's innovative structure splits between side one's fractured art-rock songs (\"Sound and Vision,\" \"Always Crashing in the Same Car\") and side two's largely instrumental ambient landscapes (\"Warszawa,\" \"Subterraneans\"). Bowie's use of the Eventide Harmonizer to alter drum sounds, combined with Eno's pioneering synthesizer work and oblique strategies, created a new sonic vocabulary that would influence post-punk, new wave, and electronic music for decades to come. The album's themes of isolation, depression, and European Cold War tension are reflected in its stark, experimental sound and fragmentary lyrics. While initially puzzling to critics and some fans, \"Low\" has been recognized as one of Bowie's most forward-thinking and influential works, predicting the rise of both synth-pop and ambient music while demonstrating how mainstream rock could embrace avant-garde experimentation.",{"title":15,"searchDepth":16,"depth":16,"links":363},[364],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/bowie-low",{"isAlbum":22,"albumYear":367,"date_time":95,"dj_name":96,"albumArtist":368},1977,"David Bowie","/music/low",{"title":354,"description":15},"music/low","JxRhX2Ek5T_Hh1u54MwQDnbsokUv__9YTuktf0iP_NQ",{"id":374,"title":375,"body":376,"date":18,"description":380,"extension":19,"image":396,"location":18,"meta":397,"navigation":22,"path":399,"seo":400,"stem":401,"__hash__":402},"music/music/marques-wyatt.md","Marques Wyatt",{"type":8,"value":377,"toc":394},[378,381,384,387],[11,379,380],{},"Marques Wyatt, a true pioneer of West Coast dance music culture, is coming to Ojai.",[11,382,383],{},"Taco Roma and the surrounding patio will be transformed into a proper dance party at sunset. Marques’s sets vary greatly in style, but a common thread is that they always make you feel deeply, something I know we all could use right now.",[11,385,386],{},"Please join us for a dance. Food and beverage provided by Taco Roma. Amplified audio provided by Traction Sound. DJ support by Dersu & Kenneth Paltrow.",[11,388,389,393],{},[390,391,392],"strong",{},"Update:"," This event is officially SOLD OUT. We will be releasing a limited amount at the door—first come. We can't wait to see you Saturday!",{"title":15,"searchDepth":16,"depth":16,"links":395},[],"https://res.cloudinary.com/radioroma/image/upload/v1777998882/events/marques.jpg",{"isAlbum":70,"date_time":398,"dj_name":375},"2026-05-10T00:00:00.000Z","/music/marques-wyatt",{"title":375,"description":380},"music/marques-wyatt","o2Iwpk7GgJwgHGtVY7aI7XnpouA3xmyqucgalbJ-DBg",{"id":404,"title":405,"body":406,"date":18,"description":15,"extension":19,"image":416,"location":18,"meta":417,"navigation":22,"path":420,"seo":421,"stem":422,"__hash__":423},"music/music/masakela.md","Masekela",{"type":8,"value":407,"toc":413},[408,410],[55,409,85],{"id":84},[11,411,412],{},"Hugh Masekela's self-titled album \"Masekela\" represents a pivotal moment in the fusion of African jazz and American pop music. Released in 1969, the album showcases Masekela's virtuosic trumpet playing and his ability to blend traditional South African music with contemporary jazz and pop elements. The record features the breakthrough hit 'Grazing in the Grass', which topped the Billboard Hot 100, making it one of the few instrumental tracks to achieve this feat. Recorded in Los Angeles during his exile from apartheid South Africa, the album captures Masekela's unique ability to translate the political and social struggles of his homeland into universally appealing music. With its infectious grooves, intricate horn arrangements, and seamless fusion of mbaqanga rhythms with American jazz, \"Masekela\" helped introduce African music to mainstream Western audiences while maintaining its cultural authenticity. The album stands as a testament to Masekela's role as a musical ambassador and his influence on the development of world music as a genre.",{"title":15,"searchDepth":16,"depth":16,"links":414},[415],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/masekela",{"isAlbum":22,"albumYear":418,"date_time":95,"dj_name":96,"albumArtist":419},1969,"Hugh Masekela","/music/masakela",{"title":405,"description":15},"music/masakela","yTfaN6ZX8jNjGi1pPkEQGP4q4qLxEkZFIoP42lf6JiM",{"id":425,"title":426,"body":427,"date":18,"description":15,"extension":19,"image":437,"location":18,"meta":438,"navigation":22,"path":441,"seo":442,"stem":443,"__hash__":444},"music/music/mishima.md","Mishima: A Life in Four Chapters",{"type":8,"value":428,"toc":434},[429,431],[55,430,85],{"id":84},[11,432,433],{},"The soundtrack for \"Mishima: A Life in Four Chapters,\" composed by Philip Glass, is a masterful blend of minimalist music and cinematic storytelling. Released in 1985, the album accompanies Paul Schrader's film about the life and work of Japanese author Yukio Mishima. Glass's score is divided into sections that reflect the film's structure, intertwining Mishima's real life with dramatizations of his novels. The music combines traditional Japanese instruments with Glass's signature repetitive structures, creating a soundscape that is both haunting and meditative. Tracks like \"Mishima/Opening\" and \"1934: Grandmother and Kimitake\" showcase Glass's ability to evoke deep emotion through minimalist motifs, while the use of strings and percussion adds a dramatic intensity to the narrative. The soundtrack not only enhances the film's exploration of Mishima's complex psyche but also stands alone as a significant work in Glass's oeuvre, illustrating his unique ability to blend Western and Eastern musical traditions. \"Mishima: A Life in Four Chapters\" remains a compelling example of how music can deepen the impact of visual storytelling, making it a landmark in film scoring.",{"title":15,"searchDepth":16,"depth":16,"links":435},[436],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_6_ni6gnr",{"isAlbum":22,"albumYear":439,"date_time":95,"dj_name":96,"albumArtist":440},1985,"Philip Glass","/music/mishima",{"title":426,"description":15},"music/mishima","k4U_MRfsZf5zENto_RFpO03IZPlwGGr2NkdTVgMS6so",{"id":446,"title":447,"body":448,"date":18,"description":15,"extension":19,"image":458,"location":18,"meta":459,"navigation":22,"path":462,"seo":463,"stem":464,"__hash__":465},"music/music/neworder.md","Power, Corruption & Lies",{"type":8,"value":449,"toc":455},[450,452],[55,451,85],{"id":84},[11,453,454],{},"New Order's \"Power, Corruption & Lies\" is a landmark album that helped define the sound of the 1980s. Released in 1983, this sophomore effort marked a significant evolution from the band's post-punk roots, embracing electronic music and dance rhythms that would become their signature. The album features the iconic track \"Blue Monday,\" which, although not included on the original LP, became the best-selling 12-inch single of all time and a staple of dance floors worldwide. Tracks like \"Age of Consent,\" \"Your Silent Face,\" and \"The Village\" showcase the band's ability to blend melancholic melodies with upbeat, synth-driven arrangements. Produced by the band and recorded at Britannia Row Studios, the album's innovative use of synthesizers, sequencers, and drum machines set a new standard for electronic music production. The cover art, designed by Peter Saville, is equally iconic, using a color code to represent the album's title and track listing. \"Power, Corruption & Lies\" not only solidified New Order's place in music history but also paved the way for the synth-pop and electronic dance music movements that followed.",{"title":15,"searchDepth":16,"depth":16,"links":456},[457],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_b8teob",{"isAlbum":22,"albumYear":460,"date_time":95,"dj_name":96,"albumArtist":461},1983,"New Order","/music/neworder",{"title":447,"description":15},"music/neworder","KalpaCekC2SbEXVZJYXX6nfE8WJNLa77-9W3Fs1gLKU",{"id":467,"title":468,"body":469,"date":18,"description":15,"extension":19,"image":481,"location":18,"meta":482,"navigation":22,"path":485,"seo":486,"stem":487,"__hash__":488},"music/music/nicky-dishes.md","New Wave Night",{"type":8,"value":470,"toc":478},[471,475],[55,472,474],{"id":473},"about-the-night","About the Night",[11,476,477],{},"Join us as selector Nicky Dishes dives deep into the rich tapestry of UK post-punk and new wave. A walking encyclopedia of 80s underground music and longtime DJ in Brooklyn's indie scene, Nicky brings an expertly curated selection spanning from Joy Division to The Cure, Gang of Four to New Order. Her sets are known for balancing the raw energy of post-punk with the more melodic elements of new wave, creating a sonic journey that captures both the angst and the euphoria of this pivotal era. Drawing from her extensive vinyl collection, Nicky specializes in unearthing hidden gems alongside the classics, seamlessly mixing lesser-known tracks from Young Marble Giants or Wire with anthems from Echo & the Bunnymen and The Smiths. Her intimate knowledge of the scene and its interconnections helps tell the story of how these bands transformed British music, making even the most obscure B-sides feel essential to the narrative.",{"title":15,"searchDepth":16,"depth":16,"links":479},[480],{"id":473,"depth":16,"text":474},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/nicky-dishes",{"isAlbum":70,"date_time":483,"selector_name":484},"2025-03-15 21:00","Nicky Dishes","/music/nicky-dishes",{"title":468,"description":15},"music/nicky-dishes","bgXs8GtApzqE1u09kOHQ0ZEY6QRk8lkP97WFQ6ITRdg",{"id":490,"title":491,"body":492,"date":18,"description":15,"extension":19,"image":502,"location":18,"meta":503,"navigation":22,"path":506,"seo":507,"stem":508,"__hash__":509},"music/music/nin.md","Broken",{"type":8,"value":493,"toc":499},[494,496],[55,495,85],{"id":84},[11,497,498],{},"Nine Inch Nails' \"Broken\" is a visceral and aggressive EP that marked a significant shift in the band's sound and artistic direction. Released in 1992, this follow-up to the debut album \"Pretty Hate Machine\" saw Trent Reznor embracing a heavier, more industrial sound, characterized by distorted guitars, pounding drums, and raw, intense vocals. The EP's tracks, including \"Wish,\" \"Happiness in Slavery,\" and \"Gave Up,\" reflect Reznor's frustration with the music industry and his desire to break free from creative constraints. The production, handled by Reznor and Flood, is dense and layered, creating a sonic assault that captures the anger and alienation at the heart of the music. \"Broken\" received critical acclaim for its uncompromising sound and earned Nine Inch Nails a Grammy Award for Best Metal Performance for \"Wish.\" The EP's influence extended beyond industrial music, impacting the broader rock and metal scenes and solidifying Reznor's reputation as a pioneering force in alternative music. With its relentless energy and unfiltered emotion, \"Broken\" remains a powerful statement of artistic defiance and innovation.",{"title":15,"searchDepth":16,"depth":16,"links":500},[501],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Nick_Inbox_1_eyxie0",{"isAlbum":22,"albumYear":504,"date_time":95,"dj_name":96,"albumArtist":505},1992,"Nine Inch Nails","/music/nin",{"title":491,"description":15},"music/nin","oY0bLBk5P_bYTM1UX79fKpPIGn8KIDucqBNA2mQfg8M",{"id":511,"title":512,"body":513,"date":18,"description":15,"extension":19,"image":523,"location":18,"meta":524,"navigation":22,"path":527,"seo":528,"stem":529,"__hash__":530},"music/music/nina-simone-sings-blues.md","Nina Simone Sings the Blues",{"type":8,"value":514,"toc":520},[515,517],[55,516,85],{"id":84},[11,518,519],{},"\"Nina Simone Sings the Blues\" captures the High Priestess of Soul at her most raw and intimate. Released in 1967 on RCA Victor, the album represents Simone's deep dive into the blues tradition, infusing it with her classical training and fierce political consciousness. Backed by a stellar band including Eric Gale on guitar and Bernard Purdie on drums, Simone delivers devastating performances of blues standards and originals. The album opens with the haunting \"Do I Move You?\", setting the tone for a collection that explores desire, pain, and racial injustice. Her interpretation of \"Backlash Blues,\" with lyrics by Langston Hughes, transforms a traditional blues structure into a powerful civil rights statement, while \"I Want a Little Sugar in My Bowl\" showcases her ability to blend sensuality with deep emotional resonance. The sparse, immediate production puts Simone's voice front and center, allowing every nuance of her extraordinary vocal control and emotional depth to shine through. While Simone recorded many styles throughout her career, this album stands as a testament to her ability to inhabit the blues form while transcending its conventions, creating a sound that's both historically rooted and utterly unique.",{"title":15,"searchDepth":16,"depth":16,"links":521},[522],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/sings-the-blues",{"isAlbum":22,"albumYear":525,"date_time":95,"dj_name":96,"albumArtist":526},1967,"Nina Simone","/music/nina-simone-sings-blues",{"title":512,"description":15},"music/nina-simone-sings-blues","7lL0Y0RkrkUYFuSSzDW6Zq_ZHVIEXjIWApTpUlOd5UU",{"id":532,"title":533,"body":534,"date":18,"description":15,"extension":19,"image":547,"location":18,"meta":548,"navigation":22,"path":553,"seo":554,"stem":555,"__hash__":556},"music/music/ok_computer.md","OK Computer",{"type":8,"value":535,"toc":544},[536,538,541],[55,537,85],{"id":84},[11,539,540],{},"Radiohead's magnum opus \"OK Computer\" (1997) stands as a seminal cultural artifact that deftly articulates fin de siècle disquietude through its ambitious sonic architecture. Yorke's plaintive tenor navigates a post-industrial soundscape where traditional rock instrumentation collides with avant-garde electronic elements, creating a sophisticated dialectic between human emotion and technological alienation.",[11,542,543],{},"Tracks like the multi-movement \"Paranoid Android\" and the hauntingly austere \"No Surprises\" offer incisive commentary on late capitalism's existential malaise. The album's prescient examination of technology's encroachment upon human autonomy positioned Radiohead as cultural prophets, while its complex arrangements and production techniques irrevocably altered the trajectory of contemporary alternative music.",{"title":15,"searchDepth":16,"depth":16,"links":545},[546],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740630637/okcomputer_i0n8tq.jpg",{"date_time":549,"dj_name":550,"isAlbum":22,"albumYear":551,"albumArtist":552},"2025-05-16T20:00:00.000Z","Serge Becker",1997,"Radiohead","/music/ok_computer",{"title":533,"description":15},"music/ok_computer","ol0xyvFy_dXBaDp7HbyYsBlRkiadwZVpaI6Tv0raih0",{"id":558,"title":559,"body":560,"date":18,"description":15,"extension":19,"image":570,"location":18,"meta":571,"navigation":22,"path":574,"seo":575,"stem":576,"__hash__":577},"music/music/outkast.md","Aquemini",{"type":8,"value":561,"toc":567},[562,564],[55,563,85],{"id":84},[11,565,566],{},"OutKast's \"Aquemini\" is a groundbreaking album that redefined the boundaries of hip-hop. Released in 1998, this third studio album by the Atlanta duo of André 3000 and Big Boi blends Southern rap with elements of funk, soul, and psychedelic music, creating a sound that is both innovative and timeless. The album's title, a portmanteau of their zodiac signs (Aquarius and Gemini), reflects the duo's contrasting yet complementary styles. Tracks like \"Rosa Parks,\" \"Skew It on the Bar-B,\" and \"Da Art of Storytellin' (Part 1)\" showcase their lyrical prowess and ability to tackle complex themes with wit and insight. The production, handled largely by Organized Noize and OutKast themselves, features lush instrumentation and intricate arrangements that push the genre's sonic boundaries. \"Aquemini\" received critical acclaim for its originality and depth, solidifying OutKast's reputation as one of the most innovative and influential groups in hip-hop. The album's exploration of identity, social issues, and personal growth continues to resonate with listeners, making it a classic in the hip-hop canon.",{"title":15,"searchDepth":16,"depth":16,"links":568},[569],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_by3ixr",{"isAlbum":22,"albumYear":572,"date_time":95,"dj_name":96,"albumArtist":573},1998,"OutKast","/music/outkast",{"title":559,"description":15},"music/outkast","iL5y-IZQfxtzVnWPHoKzwFAcaQ5V39XtsrdVOXZFNSA",{"id":579,"title":580,"body":581,"date":18,"description":15,"extension":19,"image":591,"location":18,"meta":592,"navigation":22,"path":595,"seo":596,"stem":597,"__hash__":598},"music/music/scientist.md","Big Showdown",{"type":8,"value":582,"toc":588},[583,585],[55,584,85],{"id":84},[11,586,587],{},"\"Big Showdown\" is a classic dub album featuring the legendary producers Scientist and Prince Jammy. Released in 1980, the album showcases the innovative sound engineering and mixing techniques that both artists are renowned for. Recorded at King Tubby's studio, the album is a sonic battle between the two dub masters, each bringing their unique style to the tracks. The album features deep basslines, echoing effects, and intricate rhythms that define the dub genre. \"Big Showdown\" is celebrated for its creativity and influence, cementing Scientist and Prince Jammy's status as pioneers in the world of reggae and dub music.",{"title":15,"searchDepth":16,"depth":16,"links":589},[590],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Nick_Inbox_gsht95",{"isAlbum":22,"albumYear":593,"date_time":95,"dj_name":96,"albumArtist":594},1980,"Scientist vs. Prince Jammy","/music/scientist",{"title":580,"description":15},"music/scientist","Q0_3zDg8ST7Z4Flzi32sgYGYD5vRwQKLshknDUrCuHI",{"id":600,"title":601,"body":602,"date":18,"description":606,"extension":19,"image":609,"location":18,"meta":610,"navigation":22,"path":613,"seo":614,"stem":615,"__hash__":616},"music/music/serge-album.md","Serge Greatest Hits B-Sides & Rarities",{"type":8,"value":603,"toc":607},[604],[11,605,606],{},"Kicking it old school style",{"title":15,"searchDepth":16,"depth":16,"links":608},[],"https://res.cloudinary.com/radioroma/image/upload/v1777321920/events/zalto-glasses.webp",{"isAlbum":22,"date_time":611,"albumYear":24,"albumArtist":612,"dj_name":612},"2026-04-28T17:00:00.000Z","Serge","/music/serge-album",{"title":601,"description":606},"music/serge-album","_Jfc9Ixyo38Op_mjsWsCK78PQvrAl-gm4SSwpyQt4fg",{"id":618,"title":619,"body":620,"date":18,"description":624,"extension":19,"image":627,"location":18,"meta":628,"navigation":22,"path":630,"seo":631,"stem":632,"__hash__":633},"music/music/sunday-and-desktop.md","Sunday & Desktop",{"type":8,"value":621,"toc":625},[622],[11,623,624],{},"Giddy up! Sunday & Desktop with their sticks in the mix 8-12.",{"title":15,"searchDepth":16,"depth":16,"links":626},[],"89d77eb1-cf1e-43fa-b176-ff4667dd23db",{"isAlbum":70,"date_time":629,"dj_name":619},"2026-04-25T20:00:00-07:00","/music/sunday-and-desktop",{"title":619,"description":624},"music/sunday-and-desktop","D6DMlGca9nt1de4D59vCtZ0CWwPxWxMtvkt1QAaBMGo",{"id":635,"title":636,"body":637,"date":18,"description":15,"extension":19,"image":647,"location":18,"meta":648,"navigation":22,"path":651,"seo":652,"stem":653,"__hash__":654},"music/music/the-score.md","The Score",{"type":8,"value":638,"toc":644},[639,641],[55,640,85],{"id":84},[11,642,643],{},"The Fugees' \"The Score\" stands as one of hip-hop's most perfect alignments of commercial success and artistic innovation. Released in 1996, this sophomore album showcased the unique chemistry between Lauryn Hill, Wyclef Jean, and Pras Michel, creating a sound that seamlessly blended hip-hop, R&B, reggae, and soul. The album's brilliant mix of covers and originals, from their iconic reinvention of Roberta Flack's \"Killing Me Softly\" to the politically charged \"Ready or Not\" and \"Fu-Gee-La,\" demonstrated the group's ability to honor musical tradition while pushing it forward. Hill's powerful vocals and sharp rhymes, Jean's innovative production and Caribbean influences, and Pras's complementary flows created a dynamic that felt both street-wise and sophisticated. Recording primarily in Jean's basement studio, the group crafted an album that addressed social issues and personal struggles while maintaining an infectious musicality. Despite being their final album together, \"The Score\" influenced a generation of artists with its innovative sampling, conscious lyrics, and genre-blending approach, proving that hip-hop could be simultaneously conscious, commercial, and creative.",{"title":15,"searchDepth":16,"depth":16,"links":645},[646],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/Image_from_Inbox_-_Proton_Mail_3_afs3ax",{"isAlbum":22,"albumYear":649,"date_time":95,"dj_name":96,"albumArtist":650},1996,"Fugees","/music/the-score",{"title":636,"description":15},"music/the-score","0lT3Pmdx3eF3NgYXBGIuE1J5-iiClpsugB0C9gSwCYA",{"id":656,"title":657,"body":658,"date":18,"description":15,"extension":19,"image":668,"location":18,"meta":669,"navigation":22,"path":673,"seo":674,"stem":675,"__hash__":676},"music/music/the_spirit_room.md","The Spirit Room",{"type":8,"value":659,"toc":665},[660,662],[55,661,85],{"id":84},[11,663,664],{},"In the early 2000s, our pop girls were mostly either sugary sweet or angry at the world. They were Britney or they were Alanis because the idea of multifacetedness in female artistry was limited at best. But through those weeds, there were the pop girls who existed somewhere in the middle. Sweet and approachable, but with just a thimble of angst in the mix. Michelle Branch's 2001 debut The Spirit Room isn't the electro-injected sugar high we may expect considering her contemporaries, but instead packs a punch with rock-inspired builds and a simple acoustic guitar. A benchmark break-up album for the ages, it sings of heartbreak and longing to an audience probably only old enough to romanticise the pain she sings about. So influential was this album for young women at the time, it apparently influenced an early Taylor Swift to pick up a guitar and build her own brand of crossover pop.",{"title":15,"searchDepth":16,"depth":16,"links":666},[667],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632777/The_Spirit_Room_Michelle_Branch_2001_rsysgf.jpg",{"date_time":670,"dj_name":118,"isAlbum":22,"albumYear":671,"albumArtist":672},"2025-05-23T20:00:00.000Z",2001,"Michelle Branch","/music/the_spirit_room",{"title":657,"description":15},"music/the_spirit_room","fXnyKgyN0w_camvmU4qCTxs-sn9OpIyUBNSZJ0bAM9E",{"id":678,"title":679,"body":680,"date":18,"description":15,"extension":19,"image":690,"location":18,"meta":691,"navigation":22,"path":694,"seo":695,"stem":696,"__hash__":697},"music/music/witches.md","Lazy Bones",{"type":8,"value":681,"toc":687},[682,684],[55,683,85],{"id":84},[11,685,686],{},"Witches' debut album \"Lazy Bones\" marks a significant milestone in contemporary indie rock. Released in 2023, the album seamlessly blends dreamy shoegaze textures with sharp post-punk edges, creating a sound that's both nostalgic and forward-looking. The album, which includes standout tracks like 'Summer Daze', 'Midnight Oil', and 'Velvet Dreams', showcases the band's ability to craft intricate soundscapes while maintaining a raw, emotional core. The Brooklyn-based quartet spent two years crafting these songs in various basements and makeshift studios across New York, resulting in a collection that feels both intimately homemade and professionally polished. The album's themes of urban ennui and generational anxiety are wrapped in layers of reverb-soaked guitars and hypnotic rhythms, making it a defining record of the post-pandemic indie scene.",{"title":15,"searchDepth":16,"depth":16,"links":688},[689],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/witches",{"isAlbum":22,"albumYear":692,"date_time":95,"dj_name":96,"albumArtist":693},2023,"Witches","/music/witches",{"title":679,"description":15},"music/witches","fBhMAU76ZF8LzUM98sFuSsd8txZDpZVOfO0PwJS5RMw",{"id":699,"title":700,"body":701,"date":18,"description":15,"extension":19,"image":711,"location":18,"meta":712,"navigation":22,"path":714,"seo":715,"stem":716,"__hash__":717},"music/music/yellow-magic.md","Solid State Survivor",{"type":8,"value":702,"toc":708},[703,705],[55,704,85],{"id":84},[11,706,707],{},"Yellow Magic Orchestra's \"Solid State Survivor\" represents a watershed moment in electronic music history. Released in 1979, the album showcases the Japanese trio's groundbreaking fusion of electronic music with pop sensibilities, creating a blueprint for synthpop, techno, and video game music. Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto utilized cutting-edge technology like the Roland MC-8 Microcomposer and ARP Odyssey to create a sound that was simultaneously futuristic and accessible. The album features their iconic cover of 'Day Tripper', the influential 'Behind the Mask' (later covered by Michael Jackson and Eric Clapton), and the prescient 'Technopolis', which captured the essence of modern urban Japan. Their innovative use of computer programming, synthesizers, and electronic drums laid the groundwork for modern electronic music production. While the album was a massive success in Japan and across Asia, it also significantly influenced Western musicians, helping establish the foundations of electro, hip-hop, and dance music cultures worldwide.",{"title":15,"searchDepth":16,"depth":16,"links":709},[710],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/yellow-magic",{"isAlbum":22,"albumYear":326,"date_time":95,"dj_name":96,"albumArtist":713},"Yellow Magic Orchestra","/music/yellow-magic",{"title":700,"description":15},"music/yellow-magic","gHjqNrnNY5JGWdCQ6jz87ajQpcxbRowU4l2JfNDQ_c8",{"id":719,"title":720,"body":721,"date":18,"description":15,"extension":19,"image":731,"location":18,"meta":732,"navigation":22,"path":734,"seo":735,"stem":736,"__hash__":737},"music/music/youngmarble.md","Colossal Youth",{"type":8,"value":722,"toc":728},[723,725],[55,724,85],{"id":84},[11,726,727],{},"Young Marble Giants' \"Colossal Youth\" stands as one of post-punk's most unique and influential records. Released in 1980 on Rough Trade Records, the album pioneered a minimalist approach that stood in stark contrast to the aggressive sound dominating the post-punk landscape. The Welsh trio of Alison Statton, Philip Moxham, and Stuart Moxham created a haunting atmosphere using little more than bass, guitar, primitive drum machine, and Statton's distinctively understated vocals. Songs like 'Searching for Mr. Right', 'N.I.T.A.', and the title track demonstrate their ability to create tension and emotion with remarkable restraint. Recorded in just five days at Foel Studio in Wales, the album's sparse arrangements and cold, mechanical rhythms would later influence generations of indie rock, electronic, and lo-fi artists. Despite releasing only this one album before disbanding, Young Marble Giants created a template for minimalist pop that continues to resonate, proving that sometimes the quietest voices make the loudest impact.",{"title":15,"searchDepth":16,"depth":16,"links":729},[730],{"id":84,"depth":16,"text":85},"https://res.cloudinary.com/radioroma/image/upload/v1740632770/young-marble-giants",{"isAlbum":22,"albumYear":593,"date_time":95,"dj_name":96,"albumArtist":733},"Young Marble Giants","/music/youngmarble",{"title":720,"description":15},"music/youngmarble","JiW3iUSt-2IZGSXVSxyY9ABOsZNkZlJhJpU-RL84kS4",1779217307556]